Jeune & Jolie (2013) - Cannes
Presented over the course of four seasons, the mood of each characterized by a distinctive song, Ozon's film provides an unprejudiced glimpse into the adolescent female psyche. While he subtly hints at an economic subtext, Ozon perfectly captures the sense of fearlessly searching for your identity.
Blue Is the Warmest Color
Synopsis
Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.
Following a four year separation, Ahmad returns to Paris from Tehran, uponhis French wife Marie's request, in order to finalize their divorce procedure. During his brief stay, Ahmad discovers the conflicting nature of Marie's relationship with her daughter Lucie. Ahmad's efforts to improve this relationship soon unveil a secret from their past.
Synopsis
Director:
Abdellatif KechicheWriters:
Abdellatif Kechiche (scenario, adaptation and dialogue), Ghalia Lacroix (scenario, adaptation and dialogue), 1 more credit »Stars:
The Past (2013)Le passé - Cannes
Synopsis
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Shield of Straw (2013) "Wara no tate" (original title) - Cannes
"Kill Kunihide Kiyomaru, and I will pay you 1 billion Yen". This is the ad placed in all the main newspapers in Japan. In placing the ad, the powerful multi-billionnaire Ninagawa puts an irresistible price on the head of the man he believes to be his granddaughter's killer. Realising he has become a target for millions of people, Kiyomaru turns himself in at the Fukuoka Police Station. Four officers are dispatched to bring Kiyomaru back to Tokyo, risking their own life, but now any number of assassins lie in wait on the 1.200km journey. The trip becomes a hellish chase, with potential killers at every turn. Will the police get Kiyomaru to Tokyo to face justice, or will justice of a different nature prevail?
Shield of Straw (2013) "Wara no tate" (original title) - Cannes
SYNOPSIS
"Kill Kunihide Kiyomaru, and I will pay you 1 billion Yen". This is the ad placed in all the main newspapers in Japan. In placing the ad, the powerful multi-billionnaire Ninagawa puts an irresistible price on the head of the man he believes to be his granddaughter's killer. Realising he has become a target for millions of people, Kiyomaru turns himself in at the Fukuoka Police Station. Four officers are dispatched to bring Kiyomaru back to Tokyo, risking their own life, but now any number of assassins lie in wait on the 1.200km journey. The trip becomes a hellish chase, with potential killers at every turn. Will the police get Kiyomaru to Tokyo to face justice, or will justice of a different nature prevail?
Director:
Takashi Miike
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3 Histoires d'Indiens (2014) - Berlin
Synopsis
Three stories spread across four seasons. Érik is a quirky but ingenious guy. His place is in utter chaos: full of bric-a-brac, old TV sets, antennae and electronic scrap. And, in between, his dogs are sniffing around. No matter what he constructs from all this stuff – it always works. Érik practically always has a camera in his hand with which he films himself, his family and the desolate place where they live. This because he’s working incessantly on his dream of setting up a small TV station which he hopes will bring his community together. Shayne is a loner, always roaming about listening to hauntingly beautiful music. He seems deep in thought and people around him barely take any notice of him. Alicia and her two girlfriends are more sociable. Together they read stories of crime and punishment; they also lovingly turn an abandoned little shack into a temple where they pay homage to a sacred female native spirit. This feature film adopts a meticulous, almost documentary approach in its portrayal of a new generation of native Americans living on the reservations. These young people are more active and less resigned than their parents.
3 Histoires d'Indiens (2014) - Berlin
Synopsis
Three stories spread across four seasons. Érik is a quirky but ingenious guy. His place is in utter chaos: full of bric-a-brac, old TV sets, antennae and electronic scrap. And, in between, his dogs are sniffing around. No matter what he constructs from all this stuff – it always works. Érik practically always has a camera in his hand with which he films himself, his family and the desolate place where they live. This because he’s working incessantly on his dream of setting up a small TV station which he hopes will bring his community together. Shayne is a loner, always roaming about listening to hauntingly beautiful music. He seems deep in thought and people around him barely take any notice of him. Alicia and her two girlfriends are more sociable. Together they read stories of crime and punishment; they also lovingly turn an abandoned little shack into a temple where they pay homage to a sacred female native spirit. This feature film adopts a meticulous, almost documentary approach in its portrayal of a new generation of native Americans living on the reservations. These young people are more active and less resigned than their parents.
DIRECTOR
Robert Morin
CAST
Érik Papatie
Shayne Brazeau
Shandy-Ève Grant
Alicia Papatie-Pien
Shayne Brazeau
Shandy-Ève Grant
Alicia Papatie-Pien
No trailer available
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